Visual Thought

Aperture 196 | Fall 2009 William Eggleston’s drawings are featured in the new Aperture. He is one wild dude.Aperture 196 | Fall 2009 William Eggleston’s drawings are featured in the new Aperture. He is one wild dude.

Aperture 196 | Fall 2009

William Eggleston’s drawings are featured in the new Aperture. He is one wild dude.

(via but does it float)(via but does it float)

(via but does it float)

From Tantamount Seriesby J K Keller Wrong to nature but right to my eye. (via today and tomorrow)From Tantamount Seriesby J K Keller Wrong to nature but right to my eye. (via today and tomorrow)

From Tantamount Series
by J K Keller

Wrong to nature but right to my eye.

(via today and tomorrow)

American Express “Faces” Ad

Yeah, more clever advertising. (Direct descendant of the VW ad I posted recently). The red leather jacket at 0:11 is my favorite.

Love Seat, 2007 Chairs, 106 x 180 x 45 cm by James Hopkins (via today and tomorrow)Love Seat, 2007 Chairs, 106 x 180 x 45 cm by James Hopkins (via today and tomorrow)

Love Seat, 2007
Chairs, 106 x 180 x 45 cm
by James Hopkins

(via today and tomorrow)

Cut paper street grids of NYC and Paris. (via Gizmodo) Whoa. Just, whoa.Cut paper street grids of NYC and Paris. (via Gizmodo) Whoa. Just, whoa.

Cut paper street grids of NYC and Paris. (via Gizmodo)

Whoa. Just, whoa.

Volkswagen “Squares” Advertisement (2002)

(via samburke1)

One of my favorite art films. ;)

FFFFOUND! | Banksy on Today’s Artists Sigh.FFFFOUND! | Banksy on Today’s Artists Sigh.

FFFFOUND! | Banksy on Today’s Artists

Sigh.

FFFFOUND! | HI + LOW: RULES This is really all anyone needs to know about anything.FFFFOUND! | HI + LOW: RULES This is really all anyone needs to know about anything.

FFFFOUND! | HI + LOW: RULES

This is really all anyone needs to know about anything.

Granta 108: Chicago | Magazine | Granta MagazineGranta 108: Chicago | Magazine | Granta Magazine

Granta 108: Chicago | Magazine | Granta Magazine

White House Art - The New York Times Ed Ruscha’s “I think I’ll …”, from a list of 45 artworks on loan to the Obamas from Washington, DC museums.White House Art - The New York Times Ed Ruscha’s “I think I’ll …”, from a list of 45 artworks on loan to the Obamas from Washington, DC museums.

White House Art - The New York Times

Ed Ruscha’s “I think I’ll …”, from a list of 45 artworks on loan to the Obamas from Washington, DC museums.

Sol LeWitt by Jason Polan (via pocket-monsterd)Sol LeWitt by Jason Polan (via pocket-monsterd)

Sol LeWitt by Jason Polan

(via pocket-monsterd)

“Camera Recording its Own Condition (7 Apertures, 10 Speeds, 2 Mirrors)” (1971) by John Hilliard This series consists of photos of Hilliard’s own camera, taken using mirrors and different combinations of aperture and shutter speed. Hilliard’s fingers can be seen operating the camera. Photography is both the medium and the subject of the work, giving not a picture of ‘reality’, but different versions of reality. (via TATE Online)“Camera Recording its Own Condition (7 Apertures, 10 Speeds, 2 Mirrors)” (1971) by John Hilliard This series consists of photos of Hilliard’s own camera, taken using mirrors and different combinations of aperture and shutter speed. Hilliard’s fingers can be seen operating the camera. Photography is both the medium and the subject of the work, giving not a picture of ‘reality’, but different versions of reality. (via TATE Online)

“Camera Recording its Own Condition (7 Apertures, 10 Speeds, 2 Mirrors)” (1971) by John Hilliard

This series consists of photos of Hilliard’s own camera, taken using mirrors and different combinations of aperture and shutter speed. Hilliard’s fingers can be seen operating the camera. Photography is both the medium and the subject of the work, giving not a picture of ‘reality’, but different versions of reality.

(via TATE Online)

“Every act of perception is to some degree an act of creation, and every act of memory is to some degree an act of imagination.”

—Gerald Edelman